Alpha 1 Setup
by Mark Galer
The Alpha 1 is a camera that can turn its hand to every aspect of a commercial photographer’s workflow. Its ultra-high-resolution sensor will appeal to commercial advertising photographers, art photographers (who need to generate very large prints), and sports/action/bird photographers who often need to crop aggressively to ensure their subject fills the frame.
Alpha 1 | FE 135mm F1.8 | 1/4000 sec | F1.8| ISO 100
Most commercial photographers no longer identify as stills or video photographers. In an era where multi-skilling is the name of the game, the contemporary commercial photographer must be able to turn their hand to anything their client asks of them.
Sony has crafted a camera that meets all of these needs and fulfills all of these roles. Not only does the camera capture stunning 4K quality movies, its ultra-high-resolution sensor also opens up the world of 8K movie capture. The Alpha 1 really is an all-for-one and one-for-all technical masterpiece and a no-compromise camera for the contemporary commercial photographer.
All for One and One for All
As this camera will be expected to turn its hand to completely different genres, the Alpha 1 photographer will value the ability to quickly change groups of camera settings with the minimum of fuss.
The Alpha 1 offers an unprecedented level of customization and automation that makes switching between stills, action, and movies easy to execute in just a second or two, with just the turn of a dial and/or the press of a button. This setup guide will illustrate how this can all be made possible, so that the camera is tailored to fit your own creative workflows.
With over 50 pages of menus, the photographer may at first be daunted by the prospect of configuring the Alpha 1 camera with the optimum settings to capture high quality stills and movies. Once the initial camera setup is complete, however, the photographer will rarely find themselves entering the main menus to change a setting.
This is because 24 of your most frequently used settings can be assigned to your own customizable Fn menu that can be accessed by simply pressing the Fn button.
These settings can even be changed while using the finder when the camera is at your eye. The buttons and dials can be reassigned to enable you to quickly change your preferred settings without even entering the menus at all.
Infrequently used menu items that you sometimes find yourself looking for can be stored in your own custom My Menu. A button can be assigned to enable you to jump straight to your own custom menu, completely bypassing the main menu.
Perhaps the most powerful feature, for a photographer who finds themselves shooting across a broad range of genres, is the ability to register and recall entire groups of settings so that you move between shooting portraits, action, landscape, and movies by turning just a couple of dials.
If you are familiar with older Menu structures found on Sony Alpha cameras, you will quickly realize Sony has changed things around a little.
The changes are for the better, but the relocation of some Menu options may initially be a little frustrating. Trust me when I tell you these changes were necessary, and the logic of the current structure will soon become apparent.
In the illustration above, I have highlighted some of the more frequently used Menu items along with the page number in that section, the name of the Menu, plus the color and identifying icons of that section. As I move through this setup guide, I will try to help you locate the menu items you are looking for by using these location references (color, icon, and page number).
When you press the Fn (Function) button on the back of the camera, you will be presented with 12 default menu options for either Stills or Movies, depending what position the Shoot Mode dial (on the top right hand side of the camera) is set to.
If you have Touch Operation enabled (press the C4 key if it is not), you will be able to change any of the settings associated with these menus by touching the options. If you do not, you will need to use the Control Wheel and Center button to navigate and select the menus.
The default options Sony has chosen are unlikely to be the ones that are best suited to meeting the needs of your own creative workflows. The default Fn items also duplicate some things that have been assigned to existing dials and that cannot be changed via the Fn menu, e.g., the Drive Mode and the Exposure Mode when shooting stills.
Focus Area is, by default, assigned to the C2 button on the top of the camera. Exposure Compensation has its own dedicated dial on the top of the camera. ISO can be changed by pressing the right side of the Control Wheel.
As you can see, we can change many of these default Fn menu options without losing any functionality, so I recommend making this the first thing you do to customize your own Alpha 1 camera. In the illustration above, I have listed my preferred 24 Fn menu options that you may like to consider when changing your own Fn menu.
I have outlined why I need quick access to these menu items in the section below. If you decide to add any of my suggestions, I have listed the menu section and page number to help you quickly locate the recommended option, e.g., Red P1 is the first page in the Shooting menu.
Anti-flicker Shoot and Variable Shutter (Upper and Lower 1)
These options provide me the ability to remove banding from my images. This banding (visible stripes running across my image) could be a result of photographing with low-frequency light sources, such as fluorescent lights (Anti-flicker Shoot) or high-frequency LED lights (Variable Shutter). I do not leave Anti-flicker permanently switched on as this will lower the resolution of the finder.
Fn Menus (Movies)
Custom Key Settings
The ability to customize the keys (sometimes referred to as buttons) can be accessed by going to Menu > Setup > Operation Customize (P3) > Custom Key Settings.
The keys should be reserved for settings you change frequently while shooting. You can change the functionality of the keys depending on whether you are shooting stills, movies, or reviewing images in Playback Mode.
In the Playback options, I recommend adding Select Playback Media to a Custom Key, as this cannot currently be assigned to the Fn menu. If you don’t assign this function, you could find yourself shooting to the memory card that is in Slot 2, while reviewing images from the memory card that is in Slot 1.
If you add Rating to a Custom Key, I typically also go into the Playback menu and choose just a single star rating. This is enough to quickly identify the images that I have rated on location when reviewing images in Adobe Lightroom. Sports photographers and photojournalists may decide to set up a Custom Key to initiate FTP transfer while the rest of us might be happy just to use the default setting for the Fn key, which is to transfer an image (or images) to our smartphone. Finally, I find the ability to add a voice memo to a file I am reviewing invaluable, as I never forget a face, but names are definitely not my forte ☺
Focus Hold and AEL Buttons
These two buttons are the easiest to depress while shooting with the camera at your eye. Your thumb is usually hovering over one or both of these buttons at all times. As AEL (Auto Exposure Lock) and Focus Hold are not useful in my own workflows, I have taken the opportunity to assign them to two Recall Custom Hold options, so I can quickly access a group of settings that can override 11 shooting settings (including the Exposure Mode, Drive Mode, and Focus Mode settings, which are controlled by hard dials). I will be highlighting why the Recall Custom Hold settings are so useful in a subsequent section of this setup guide.
The ‘stickiness’ of the AF Tracking will amaze you if you have not shot with a camera using a stacked sensor before (Alpha 9, Alpha 9 II and now the Alpha 1)
Custom Key Options
These are some of the options I may consider when capturing images in a studio or out on location taking images of the stars (astro photography).
Custom Key Options for Movies
The only Custom Key I would like to draw your attention to when assigning options for capturing movies is Clear Image Zoom (Zoom Range > Clear Image Zoom) from the Shooting menu (page 9). This feature can be selected only if the Shoot Mode dial is turned to Movies or the file format is set to JPEG when shooting stills.
Clear Image Zoom allows you to zoom smoothly even when using a lens that is not equipped with a power zoom. You can even zoom when using prime lenses with little or no loss in recording quality. You are effectively zooming in from your 8K sensor to the 4K area on your sensor.
Camera Settings Memory
It is possible to register three groups of camera settings that are stored in the camera’s on-board memory as well as four more on a memory card.
These can be recalled by simply turning the Shoot Mode dial to 1, 2, or 3. In this manner, you can quickly reconfigure the camera completely with camera settings optimized for shooting very different subjects, e.g., landscapes and sports/action. I personally find this feature invaluable, and it defines my own personal workflow. I shoot 95% of my stills starting with the Shoot Mode dial turned to 1, 2, or 3, safe in the knowledge that I will not have overlooked a setting that may lead to a missed shot.
If you have owned a previous Alpha camera (one that was not the Alpha 9 or Alpha 9 II), you will need to be aware that Drive Mode and Focus Mode cannot be assigned to the memory, as the memory cannot override the physical Drive Mode and Focus Mode dials on the top of the camera (dials that are not present on the Alpha 7 range of cameras).
Portrait Memory Settings
For my own workflow, I use the acronym PAL (Portrait, Action, and Landscape), so that I can easily remember what I have assigned to the 1, 2, and 3 Memory Recall options on the Shoot Mode dial. Portrait prioritizes shallow depth of field, Action prioritizes fast shutter speeds, and Landscape prioritizes depth of field and low ISO for static subjects.
These Memory settings act as starting points for what I am shooting, and settings can be fine tuned or modified according to the specific subject I am shooting, e.g., stopping down to a smaller aperture with the number 1 Recall when shooting a group portrait instead of a single figure. If the Shoot Mode dial is turned away from your memory setting and then back again, the default settings you have registered are restored. If you need to modify the default settings, or replace the registered setting, you have to go into the main menus and register a new group of settings over the currently registered setting.
Portrait Memory Setting
To register a Camera Set. Memory, you will need to first set up the camera with all of the settings you would later like to recall, and then go to the Shooting Memory (P4) > Camera Set. Memory and choose a Recall number to register the setting against. Numbers 1, 2, and 3 are stored on the camera and M1–M4 are stored on the memory card.
Note > The Memories stored on the memory card are deleted when the card is formatted, so you may want to back these settings up on your computer or use a memory card that you do not intend to format (used only to load settings)
I have listed most of my Portrait settings in the table in the illustration above. The first three settings (Shoot, Drive, and Focus Modes) are set using the Dials on the top of the camera. Your preferred starting Aperture can only be recalled by the Shoot Mode dial if a lens that has an Aperture ring is set to A (Auto).
If you have set up the Custom Keys, you can set the ISO Auto Min. SS by pressing the C1 key. I typically find that 1/250 second is fast enough to freeze slow-moving subjects. When recalling this memory via the Shoot Mode dial, you will also need to check the Drive Mode and Focus Mode dials are set for the task in hand and optimize the Finder Frame Rate via the Fn menu (the Standard setting providing the optimum resolution for the finder).
Action Memory Setting
For the Action memory, I have changed the ISO Auto Min. SS to 1/2000 second. In low ambient light, this fast shutter speed may not be achieved once the ISO has reached the upper limit in the ISO Auto range (12,800 by default). In this event, the shutter speed will be slower in order to protect exposure.
When setting up this Action memory in a studio setting, you will be unlikely to see the camera achieve this fast minimum shutter speed due to the low levels of light in the test environment. SteadyShot can be switched to Off in the menu but will revert to On if the SteadyShot switch on the lens is set to On. SteadyShot Mode II is the preferred setting on the lens when panning.
Landscape Memory Setting
In this group of settings, you will notice the aperture has been stopped down to F11 and the Slower option has been selected from the ISO Auto Min. SS menu. These settings are optimized for hand-held shooting where depth of field and low ISO are the priority.
If there is no immediate foreground in my scene, I may open up to f/8 or wider. If the camera is mounted on a tripod, the ISO can be set to 100 and I will use either the Self-timer or Sony’s Bluetooth remote to release the shutter if the shutter speed is very slow. I will also consider switching to Manual Focus when using a Hyper-focal Distance setting to achieve maximum depth of field.
Recall Custom Hold Settings
Reg. Custom Shoot Set
In the section where we assigned operations to the Custom Keys, I outlined the importance of the Recall Custom Hold memories. Unlike the Memories that can be recalled via the Shoot Mode dial, the ones recalled by holding down a Custom Key can override settings on the Shoot Mode, Drive Mode, and Focus Mode dials.
This makes these registered settings invaluable when a photographer needs to quickly override shooting settings because the current settings are no longer appropriate for the task in hand. As well as registering settings via the Reg. Cust Shoot Set menu (Shooting > Shooting Mode P4), Custom Keys need to be assigned to recall these registered settings (Setup > Operation Customize).
Recall Custom Hold 1
I use Recall Custom Hold 1 by pressing the Focus Hold button on the lens for times when I am panning the camera and require a slower shutter speed to create some movement blur behind my subject. If your panning technique is excellent and/or your subject is not moving rapidly, you may choose a shutter speed of 1/60 or 1/125 second. For very fast motorsports, you may need to increase the shutter to 1/320 or 1/500 second to increase the percentage of sharp shots.
Recall Custom Hold 2
I use my Recall Custom Hold 2 settings by pressing the AEL button when the fast action has not yet started or the fast action has momentarily come to a halt, e.g., a bird that is preparing to take to the wing or a runner who has come to a sudden stop. This enables me to take just a single image when I press the shutter release with a slower shutter speed, instead of taking multiple images at a faster shutter speed (and higher ISO).
The choice of settings when shooting 8K is not complicated as there is no choice of file format or frames per second. If you want to choose the highest quality Record Setting from the Shooting > Image Quality > Movie Settings menu (P1), choose 400M as your compression setting (400M 4.2.0 10bit instead of 200M 4.2.0 10bit). If you want to record for extended periods of time (longer than 10 minutes per clip), it is recommended to tilt the monitor away from the camera body and shield the camera from full sun.
The settings I recommend for shooting high quality 4K movies, which are relatively fast to edit, are XAVC S 4K 200M 4.2.2 10bit when shooting 50 or 60 frames per second and 140M 4.2.2 10bit when shooting 24, 25, or 30 frames per second.
Touch Tracking and Touch Focus
I recommend setting the Focus Mode to AF-C and the Focus Area to Wide. With Touch Operation and Touch Tracking enabled, you can then just touch and track your subject as it moves or change the Touch Function in Shooting to Touch Focus when you want to pull focus between two subjects at different distances from the camera. Touch the Focus icon on the monitor to cycle between Touch Focus, Touch Tracking, and Touch Operation Off.
If you are intending to walk with the camera while recording movies and you do not have the camera mounted on a gimbal, I strongly recommend switching SteadyShot to Active SteadyShot. The field of view will become slightly narrower, so you may need to zoom a little wider or attach a wider focal length prime.
Recording movie clips that play back in slow motion is a quick and easy affair on an Alpha camera. Just set up the S&Q Settings (Shooting P1) with the faster frame rate (100fps for PAL and 120fps for NTSC) and then the Record Setting 140M 4.2.2 10bit for maximum quality. Movies recorded with the S&Q Setting will automatically play back four times slower in your postproduction editing software. You can now simply turn the Shoot Mode dial on the camera from Movies to S&Q when you need to record some slow-motion footage.
My Menu Settings
When you have completed all of the other setup procedures, you may find yourself regularly looking for a setting. If you have spent too long looking for a menu option, I highly recommend adding that Menu item to the My Menu (Silver Star) tab. Over time, you can organize these menu items on pages that makes sense to your own creative workflows. You can then assign a Custom Key to jump straight to My Menu instead of the main menus.
The final step in the Setup procedure is to go to Setup page 2 and save all of your camera settings to a memory card. You can then archive these settings on your computer. This will ensure that if you ever have to reset or initialize your camera, or set up a second camera, it can be done in just a few clicks. Note > The only Settings that are not saved with the CAMSET file are the Memories stored and then recalled on the Shoot Mode dial. These can, however, also be transferred to a memory card using the M1–M4 settings when saving Memories.
For more information regarding setup, you can head over to my Patreon site where I offer Alpha training and consultancy services: https://www.patreon.com/markgaler
For review and training videos, go to: https://www.youtube.com/c/AlphaCreativeSkills
For additional Alpha learning resources, go to: www.markgaler.com